HERE IS A MAN

Here is a man who is ambidextrous on the 'Brahman' but fidgety  with a tap or switch.

 Here is a man who can get 99% involved in wealth  making dreams but lends 1% to life saving needs.

Here is a man who wishes to be near and dear to everyone other than his own.

Here is man who wishes to construct a house but not a home.

Here is a man who thinks that he can teleport his "good" name beyond this world.

Here is a man who skillfully  escapes reality and revels in illusion.

Here is man who acquiesces to lies and hides from the brute truth.

Here is a man who lives and loves to hear his own voice and zones out everything else.

Here is a man who can drone you with free advise but cannot assess valuable silence.

Here is man who deludes himself into believing that he knows GOD but not HIS ways.

CHESS & DEMOCRACY

A functioning democracy envisages specific roles to be played by its elected representatives, the Executive, the Judiciary, the President, Cabinet of Ministers and the Union of India. To achieve this, we in India gave ourselves our  Constitution.

The Constitution recognizes each of these entities through separation of powers, assignment of distinct roles, specific responsibilities, duties and obligations backed with constitutionally mandated checks and balances to their exercise.
Here is an attempt to liken the workings of a democracy through a game of chess ...
    
Analogically, the Sovereign is represented by its President - fits the bill of a King in a game of Chess.   

The Office of the Prime Minister would perhaps be likened to a multi-faceted Queen on a chess board.

An independent and impartial  judiciary is somewhat similar to the Bishops in the game of chess. 
The armed forces of the nation are like the Knights on the chess board, as they occupy strategic positions in our territories or vantage points in enemy territory to defend the King and defuse the enemy's advances.

The bureaucracy, the law enforcement machinery in general can be likened to the Rooks on the chess board.

The elected representatives are the Pawns on a chess board since they are, in effect, the mouth piece of pressure groups, power brokers, industrial houses, media companies, caste, language or  religion based denominations et al.
Each side represents the Union that owes allegiance to its National 🚩Flag at all times. For owing such allegiance to the Union, their best interests are meant to be taken care of at all times.

When each entity on the Chess Board fulfills its assigned roles, responsibilities, obligations, and duties one can maneuver winning  moves, advance into enemy positions and eventually win. 

So long as these roles and rules that govern each entity are assessed, understood and accepted, what follows is an interesting power play without any dichotomy or overlapping of roles and responsibilities. 

In Chess, as in democratic governance, there are an endless number of possible variations. That said, some moves are time-tested and popular. An underlying principle in chess as in politics and governance is to try to control the center.  The chess board's center is typically defined as the four squares right in the middle of the board. In a typical democratic governance model the Four-Squares in the centre symbolize national security,  sovereignty, national interest and adherence to the rule of law.  A democratically run government should never give up or compromise on these four squares but should instead develop this systematically to make it a powerful democracy. 

     In Chess, the center and its four squares are important because pieces of either side tend to become more mobile since  they occupy the center. A centrally-placed Knight can move to (and control) eight squares. Whereas Knight in the corner controls just two squares.

    Just so, in politics and governance too, the Central occupation and Center control are  two basic pre-requisites  of  strategy and governance which underlay almost all popular chess openings. A White pawn would like to occupy the squares d4 and e4. ...while Black's chess opening strategy is to occupy both d5 and e5 with it's own pawns.

     Both sides of the game are also trying to prevent each other from achieving their strategic goal. So, in most chess openings, neither player actually achieves it. But it's a good opening chess strategy for which both sides usually strive. The pawns cannot stand alone on these squares and need to be constantly supported by other chess pieces. 

This is exactly how it ought to be in democratic governance. All round support to each democratic institution. 

A "developing move" in both Chess and democratic Governance is one which gets a side off of its starting square into a vantage position (where they can actually develop and accomplish something, either aiding your attack or defense) as soon as you can. 

And the reason why you'll usually want to develop each of your Knights before your Bishops is because it's easier to find a good square on the chess board for your Knights. Likewise in governance, unwavering authority of the state is paramount before establishing a system of rule of law. 

Good chess and governance strategy suggests that your King's safety is crucial; therefore "castle early if you can", they say.

A big exception to the principle of centralizing your pieces concerns your King. In the opening and middlegame, the center is the worst place for your King. Castling is a great way to safeguard your King from schemed moves and even checkmate - it gets the King away from the center and simultaneously develops one of your Rooks at the same time. Top level chess strategy!

 Good chess strategy suggests you don't advance more than one or two pawns in the chess opening, and definitely not pawns in front of your castled King. So is the case in governance where you  need to advance a couple of pawns so that your pieces can develop, but be aware that advancing lots of pawns will weaken your defenses. So the best chess opening strategy is to move one or two pawns in the opening, but not more. 

As you progress in your chess game and your  moves in democratic governance, you will learn that there are always exceptions to general strategic principles. 

In both Chess and in Governance you must avoid making exchange moves which develop another piece for the opponent and take care to avoid premature attacks on opponents.

Good moves in democracy was during the Emergency days of Mrs. Indira Gandhi, wherein the judiciary played a stellar and important interventionist role and restored democracy. During the Seventies and the Nineties Indo Pak war, the Defence Corp responded to overtures made by Pakistan across Kashmir and Kargil and defeated the enemy.  During Parliamentary and Assembly elections, the Election Commission played a stellar and independent role in the conduct of elections and prevention of wrongful electoral practices.  In recent times, the Comptroller Audit General brought forth a revelation during the 2G scam and was able to expose corrupt persons who were part of it. The media (the fourth estate) played an important role when the Police failed to act against murderers and other offenders. There are many more examples of this.

In Chess the Queen is your most powerful
piece but she can't win a chess game all by
herself.

She's also a very  enticing target for your opponent early in a game where she can be easily trapped on a crowded chessboard.  

Good Chess strategy suggests you don't bring your Queen out early. Generally, chess opening strategy dictates that the Queen is one of the last pieces you'll develop.

However, examine a scenario in a game of Chess, where the Queen moves out towards the other side and  becomes a soft target. She is then forced to move about like a gracing cow enticing orders from anyone and everyone including the rook on the opposite side. Trapped and  unable to move to a safer position she is under attack? How would the game be if, the queen allows herself to be manipulated by every other pawn on the chess board including the opposite side? Or, worse still if the Queen no longer owes allegiance to her own King and fails to budge or act in times of trouble? Instead of taking an attacking position she acquiesces to everything wrong done by the enemy side and compromises her own position by becoming indifferent to the plight or position of her King.  
        
Imagine a game of Chess where the Knight, instead of developing vantage positions and taking new positions makes the Kingdom vulnerable to checks from the enemy, or fails to diffuse the enemy by occupying strategic positions and easily gives up crucial four square positions when it moves forward into enemy territory; 

 Image a game of Chess where a Bishop often shoots oneself in the foot and never believes in remaining accountable, independent or impartial, but is instead someone who has the uncanny knack of always getting into stale mate situation, trapped there by convoluted legalese and unable to move in any meaningful direction, whatsoever unless it's towards its own detriment; Imagine a game of Chess where the pawns decide to commit hara-kiri by moving into the wrong position at the wrong time in  a most cavalier fashion that jeopardizes every one else's position on the board of chess. Imagine a game, where the Rook  castles with  the King late into the game and now owes allegiance to the Queen on the enemies' side. 

Could this be a suitable state of our Union...?


PACK OF THREE

Pack of three

Part of my planned tour of pleasure to Delhi this winter was to taste the famous Dunkin Doughnut at its outlet in Connaught Place.  As I parceled all the stuff that I wanted, I felt an urge to taste the the neatly arranged Chocolate Munchkins that adorned the display window.  I asked the sales person for ONE and was dismayed when I was rudely told that "it was sold only in a pack of three costing Rs. 25/-".  I argued that this wasn't a packaged product and was sold in piecemeal and therefore I cannot be forced to buy three.    It was clarified by the Supervisor in charge that nothing can be purchased in this place below the bottom rice of Rs. 25/-.

Later that week I visited Pushkar, Rajasthan on the holy day of Karthika Pournami to pay respect to the one and only Brahma Temple.  No sooner did I reach the vantage point, I was solicited and whisked away by a  tour guide, poojari and driver all three rolled into one. After being lectured about the significance of the Holy Trinity of Lord Vishnu, Shiva and  Brahma for an hour at the holy banks, I was asked to make Anna Dan' to the Sadhu Sants for one day. I opted to offer Anna Dan with a dedication to Lord Shiva. The benign Brahmin immediately cautioned me that it has to be for three days since it would offend the other two Gods.  Later that evening I went to a hosiery shop to buy under-garments and was surprised to see that they were dispensed in a pack of three.

It would appear that India has finally caught on with the  crafty business, utility and revenue models that infest the west.  

There was a time in ancient India the number three had ritualistic significance and connotations. Such as:  One must always encircle a Hindu temple three times before departing. One must ritualistically swirl one's right hand  three times around the food with the appropriate mantra before one commences eating it. 

Our colonial laws also mandate that we tender at least three days advance notice before commencing any legal proceeding against an opposite party.  At the Hoopla stall in a fair you are given three turns to play a game. In life itself, you get three chances to get your act together, before you are disqualified for anything.

Some rustic said to me that every grain has a name of the person who will eat it and therefore food is dedicated without any sensibility or pride of making it donation. It is an oft read cliche that the left hand must not know what the right hand gives away.From this scenario where we provide free feast to the community en masse  during festivals and funerals, we have now reached a stage where even the government is unable to provide one free noon meal to poor school going children.  Things got so out of hand that some smart alec IAS officer opined the oft repeated American cliche " there is no such thing as a free lunch".

Today not only do you not have a free lunch but you have to buy things in a pack of three.

Falsetto in Indian Film Music

GOODBYE TO FALSETTOS

In Malayalam film songs rendered between seventies and eighties, falsetto ( sing notes beyond the vocal range of the normal or modal voice) was de rigeur and you had to suffer and listen to high pitched and shrill squealing (Painkilli Shabdam) by female singers.

In the western hemisphere there was an operatic singing style that had its roots in the 15th Century Italy. It was known as the Aria (Italian for airpluralarie, or arias in common usage, diminutive form arietta) Use of Aria in music involved falsettos since it was meant to emote a state of mind and a vocal ability borne out of a context in the Opera. Listen to Mozart's Magic Flute rendered here for an illustration of an Aria.

http://www.youtube.com/watch?v=C2ODfuMMyss


 A typical example of  falsetto in Malayalam playback singing  can be heard in the playback singer Chitra's singing. Chitra in her nasal voice and uses falsetto to reach the high notes (Almost like a Pressure Cooker going off)

http://www.youtube.com/watch?v=cjkz_N6rXk0

http://www.youtube.com/watch?v=_J1yEL9gvZ8

Prior to Chitra you had S. Janaki and Madhuri singing in false voices

http://www.youtube.com/watch?v=eO7ZDUpKqyE

http://www.youtube.com/watch?v=ErIDWv8XwkE&list=PLB6B8594380B9A721

I am sure there are equal number of songs in Hindi and other Indian film music that adopted this style of singing. 

 The shrill falsetto ousted excellent Malayalam female playback singers who had natural voice. Playback singer P. Leela was outplaced by singers like S Janaki or P Susheela in the seventies. If you listen to P Leela, you will notice the most natural voice of a Malayali Woman. Here is a immensely popular song by P Leela that every Keralite sings.

http://www.youtube.com/watch?v=Djs_DXBh2A0

Its almost as natural and sincere as listening to Ella Fitzgerald singing "Summer Time" in the late sixties

http://www.youtube.com/watch?v=u2bigf337aU

However this Paingilli Sound of Kerala has continued to haunt the media. Today you can listen to most women even speaking in falsettos. Listen to the women who do voice overs in Kerala Jewelry Advertisements. You feel like wringing those necks which has become the order of the day.

http://www.youtube.com/watch?v=JwBKagI4wWE

Watch any Malayalam feature film and you will find that these women also dub for prominent female characters in the film.

I was able to hear the excellent husky and natural voice of this female in a Jose Alukkas Jewelry advertisement
http://www.youtube.com/watch?v=7CG08RLZBJE

The trends in singing are briskly changing and more and more songs are being sung in the natural voice.  Hopefully this will end falsetto singing once and for all.  Here are some of my favorite songs in Malayalam.

Listen to this classic song called "Enundodee" from the award winning movie CELLULOID rendered by Sithara
http://www.youtube.com/watch?v=xNOXR99SaY4


Also the song Katte Katte by Singers : G Sreeram & Vaikom Vijayalakshmi
http://www.youtube.com/watch?v=8AksjQ9UBOs

I also loved the earthy and natural voice of Kala Thilakam Remya Nambeesan in the following song:
http://www.youtube.com/watch?v=lt5D987Dsw4

Also loved the voice of Neha Nair in her rendition of  "Mandarakatte" in Anchu Sundarikal
http://www.youtube.com/watch?v=x_83WA7vNC4

and the voice of Anna Katherina Valayil in the following song from ABCD
http://www.youtube.com/watch?v=GBAyPfU9LMc